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                        <loc>https://jasonwillome.com/header-left</loc>
            
            
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            <url>
                        <loc>https://jasonwillome.com/2024-residency-at-künstlerhaus-bethanien</loc>
            
            
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                    <image:loc>https://freight.cargo.site/t/original/i/A2485922628213555242487373714289/2017-05-03---_55A6111-copy.jpg</image:loc>
                                            <image:caption>Photo by Galya Feierman, courtesy of Künstlerhaus Bethanian </image:caption>
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                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/U2485922628176661754339954611057/2017-05-03---_55A6121-copy.jpg</image:loc>
                                            <image:caption>Photo by Galya Feierman, courtesy of Künstlerhaus Bethanian </image:caption>
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                    <image:loc>https://freight.cargo.site/t/original/i/M2487495410839595219707902382961/2024-09-13---e884ef3d-280c-4560-8420-9e55bdbeed19.png</image:loc>
                                            <image:caption>Fellow KB Resident, Hyeejin Bae (and Kong) peering into “First Light (Antenna),” as installed in Studio 104. Photo by KB Resident, Manar Moursi.</image:caption>
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                <image:image>
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                                            <image:caption>Detail of, “First Light (Antenna),” as installed in Studio 104. Photo by Fellow KB Resident, Manar Moursi.</image:caption>
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                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/O2487495410821148475634192831345/2024-09-13---IMG_1938.png</image:loc>
                                            <image:caption>View of my works in progress in Studio 104 at KB.</image:caption>
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                <image:image>
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                                            <image:caption>Timelapse of Open Studio at KB – 9/12/2024</image:caption>
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                <image:image>
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                                            <image:caption>Open Studios at KB – September 12, 2024</image:caption>
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                <image:image>
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                                            <image:caption>WIP View of “Woodstack (Sometimes a Ghost is a Wish) in KB Studio 104.</image:caption>
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                <image:image>
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                                            <image:caption>Video capture of “First Light (Antenna),” WIP in KB Studio 104.</image:caption>
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                <image:image>
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                                            <image:caption>Detail of “First Light (Shadow)”</image:caption>
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                <image:image>
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                                            <image:caption>Timelapse of casting process</image:caption>
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                <image:image>
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                                            <image:caption>Demolding of cast</image:caption>
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                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/H2487660043824595428650297414513/IMG_5011.jpg</image:loc>
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                    <image:loc>https://freight.cargo.site/t/original/i/N2487660043437213803102396830577/IMG_5006.jpg</image:loc>
                                            <image:caption>Deciding where the “water line” should be for “First Light (Antenna)”</image:caption>
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                <image:image>
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                    <image:loc>https://freight.cargo.site/t/original/i/G2487660044119743333829650240369/IMG_4986.jpg</image:loc>
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                    <image:loc>https://freight.cargo.site/t/original/i/G2487660043511000779397235037041/IMG_4993.jpg</image:loc>
                                            <image:caption>Sketch</image:caption>
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                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/J2487660044138190077903359791985/IMG_4987.jpg</image:loc>
                                            <image:caption>Studio</image:caption>
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                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/I2487660044101296589755940688753/IMG_4990.jpg</image:loc>
                                            <image:caption>Sketch</image:caption>
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                <image:image>
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                                            <image:caption>Sketch ideation for “First LIght (Shadow)”</image:caption>
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                <image:image>
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                                            <image:caption>Sketch</image:caption>
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                <image:image>
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                                            <image:caption>The Blue Stair at KB</image:caption>
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                                            <image:caption>“Inside Voice (3)”</image:caption>
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                                            <image:caption>The original KB</image:caption>
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                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/Y2487660043640127987913201898353/IMG_5001.jpg</image:loc>
                                            <image:caption>Sketch</image:caption>
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                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/S2487660043695468220134330553201/IMG_5007.jpg</image:loc>
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                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/K2487660043972169381239973827441/IMG_5020.jpg</image:loc>
                                            <image:caption>WIP “Woodstack (Where Did You Go?)”</image:caption>
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                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/N2487660044027509613461102482289/IMG_5023.jpg</image:loc>
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                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/F2487660044009062869387392930673/IMG_5022.jpg</image:loc>
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                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/W2487660043990616125313683379057/IMG_5027.jpg</image:loc>
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                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/P2487660044064403101608521585521/IMG_4989.jpg</image:loc>
                                            <image:caption>Sketch</image:caption>
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                <image:image>
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                                            <image:caption>Inside Voice (2)</image:caption>
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                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/Z2487670412315164147093941080945/2024---kb---Mirror-Test-1.mp4</image:loc>
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                <image:image>
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                                            <image:caption>WIP “First Light (Shadow)”</image:caption>
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                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/K2487675960597719428936909280113/IMG_1926.MOV</image:loc>
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                    <image:loc>https://freight.cargo.site/t/original/i/B2487676640692279938460658258801/IMG_2283.MOV</image:loc>
                                            <image:caption>“Reentry”&lt;br /&gt;</image:caption>
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                                            <image:caption>“Reentry”</image:caption>
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                                            <image:caption>Installation view of “First Light (Shadow)” in KB Studio 104, Open Studios - 2024/09/12</image:caption>
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                        <loc>https://jasonwillome.com/2017-monster</loc>
            
            
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                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/B1897780514517020057927886656369/20-Willome-Monster-00.jpeg</image:loc>
                                    </image:image>
            
        </url>
            <url>
                        <loc>https://jasonwillome.com/2020-there-will-always-be-ruins</loc>
            
            
            <lastmod>2025-08-05T20:47:38+00:00</lastmod>
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                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/G1897783561826907314377265861489/2020-There-Will-Always-Be-Ruins-00.jpg</image:loc>
                                    </image:image>
            
        </url>
            <url>
                        <loc>https://jasonwillome.com/2020-besotted-by-our-own-audacity</loc>
            
            
            <lastmod>2025-08-05T20:47:38+00:00</lastmod>
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                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/S1897793714287656185608350552945/2020-willome-besotted-by-our-own-audacity-00.png</image:loc>
                                    </image:image>
            
        </url>
            <url>
                        <loc>https://jasonwillome.com/2005-father&#039;s-fathers&#039;-fodder&#039;s-father</loc>
            
            
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                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/X1897586241395875932846502794097/Willome_Fodder002_o.jpg</image:loc>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/C1897586241561896629509888758641/Willome_Fodder003_o.jpg</image:loc>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/K1897586241580343373583598310257/2005-Willome_Fodder001_o.jpg</image:loc>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/W1897586241543449885436179207025/Willome_Fodder004_o.jpg</image:loc>
                                    </image:image>
            
        </url>
            <url>
                        <loc>https://jasonwillome.com/2012-through-the-door-or-out-the-window</loc>
            
            
            <lastmod>2025-08-05T20:47:38+00:00</lastmod>
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                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/R1897797660009320063934022112113/2012-Willome-Through-the-Door-or-Out-the-Window_00.jpg</image:loc>
                                    </image:image>
            
        </url>
            <url>
                        <loc>https://jasonwillome.com/2005-2011-–-time-travel-1</loc>
            
            
            <lastmod>2025-08-05T20:47:39+00:00</lastmod>
            <changefreq>always</changefreq>
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                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/H1898004515101194544089276699505/2007-sometimes-the-comb-is-solid-00.gif</image:loc>
                                            <image:caption>“Sometimes The Comb Is Solid”, Video Loop (Animated Giff), 2007.</image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/G1899718692647748803529066763121/2005-Willome-Walking-Hand-in-hand-with-myself-00.png</image:loc>
                                            <image:caption>“Walking Hand-in-hand With Myself (The View Inside a Tesseract)”, Acrylic, Inkjet Prints on Acetate (It’s A Wonderful Life, 1948), Stretched Canvas, 48” x 48” (121.9 x 121.9 cm.), 2005.&lt;br /&gt;
 &lt;br /&gt;
In the collection of Sara Reyes, SATX
</image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/N1899718692518621595013099901809/2011-Willome-Softly-Actual-00.jpg</image:loc>
                                            <image:caption>“All He Had To Say When Pressed”, Acrylic, Pigmment Transfer Into Acrylic (It’s A Wonderful Life, 1948), Stretched Canvas, 48” x 48” (121.9 x 121.9 cm.), 2011&lt;br /&gt;
 &lt;br /&gt;In the collection of Cody MMatkin &amp;#x26; Larry Gee, SATX</image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/I1899718692444834618718261695345/2010-willome-how-to-haunt-the-fleshly-counterpart-3-00.jpg</image:loc>
                                            <image:caption>“How To Haunt The Fleshly Counterpart II (Vanishing Cabinet In Medias Res)“, Wood, Urethane Resin, 8” x 6” (20.3 x 15.2 cm.), 2012</image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/W1899718692407941130570842592113/2010-willome-how-to-haunt-the-fleshly-counterpart-5-00.jpg</image:loc>
                                            <image:caption>“How To Haunt The Fleshly Counterpart II (Whale &amp;#x26; Table &amp;#x26; Tessera)“, Graphite, Cattle Marker, Toner Transfer, Paper, 24” x 18” (61 x 45.7 cm.), 2006&lt;br /&gt;
&lt;br /&gt;
In The Collection of Avery (Ely) Bohon and Andrew Bohon, Franklin, TN 
</image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/Y1899718692315707410202294834033/2010-willome-how-to-haunt-the-fleshly-counterpart-8-00.jpg</image:loc>
                                            <image:caption>“How To Haunt The Fleshly Counterpart II (Superposition of Memory)“, Graphite, Cattle Mrker, Toner Transfer, Ink, Color Pencil, Paper, 18” x 24” (45.7 x 61 cm.), 2012&lt;br /&gt;
</image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/L1899718692555515083160519005041/Jason_Willome_Softly_Actual_001_o-1.jpg</image:loc>
                                            <image:caption>“Softly Actual (Once More, With Feeling)” Projection (It’s A Wonderful Life, 1948), Snow Machine. Dimensions Variable. 2011 &lt;br /&gt;&lt;br /&gt;
*Pictured as installed at Stella Haus Gallery, SATX</image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/L1899718692297260666128585282417/2010-willome-how-to-haunt-the-fleshly-counterpart-7-00.jpg</image:loc>
                                            <image:caption>“How To Haunt The Fleshly Counterpart II (Physical Form of Memory)“, Wood, Plaster, 18” x 24” (45.7 x 61 cm.), 2012</image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/X1899718692500174850939390350193/2011-Willome-Spots-00.jpg</image:loc>
                                            <image:caption>“Spot”, Acrylic, Pigment Transfer Into Acrylic (It’s A Wonderful Life, 1948), Stretched Canvas, 48” x 48” (121.9 x 121.9 cm.), 2011</image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/S1899718692334154154276004385649/2013-willome-The_Deep_Cartographies_of_a_Suburban_Yard_Animal_o.jpg</image:loc>
                                            <image:caption>“The Deep Cartographies of The Suburbann Yard Animal”, Acrylic, Pigment Transfer Into Acrylic Stretched Canvas, 48” x 48” (121.9 x 121.9 cm.), 2016&lt;br /&gt;
&lt;br /&gt;
In the collection of Shirley Corte, HTX
</image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/Q1899718692389494386497133040497/2007-willome-another-room-i-cannot-get-into-00.jpg</image:loc>
                                            <image:caption>“Another Room I Cannot Get Into“, Acrylic, Inkjet Prints on Acetate (It’s A Wonderful Life, 1948), Stretched Canvas, 48” x 40” (121.9 x 101.6 cm.), 2007&lt;br /&gt;
&lt;br /&gt;In the collectio of Heather &amp;#x26; Chuck Holdridge, SATX
</image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/A1899718692463281362791971246961/2010-willome-how-to-haunt-the-fleshly-counterpart-2-00.jpg</image:loc>
                                            <image:caption>“How To Haunt The Fleshly Counterpart II (Instructions for Operating a Vanishinng Cabinet)“, Graphite, Cattle Mrker, Toner Transfer, Ink, Color Pencil, Paper, 18” x 24” (45.7 x 61 cm.), 2012&lt;br /&gt;
</image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/S1899718692371047642423423488881/2007-willome-either-ether-00.jpg</image:loc>
                                            <image:caption>“Either Ether Either (The Sound One Makes When One Sleeps)”, Acrylic, Stretched Canvas, 48” x 48” (121.9 x 121.9cm.)</image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/R1899718692426387874644552143729/2010-willome-how-to-haunt-the-fleshly-counterpart-4-00.jpg</image:loc>
                                            <image:caption>“How To Haunt The Fleshly Counterpart II (Is This a Musical Table?)“, Graphite, Cattle Marker, Toner Transfer, Paper, 28” x 24” (71.1 x 61 cm.), 2006</image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/N1899718692481728106865680798577/2016-willome-through-the-glass-half-darkly-00.jpeg</image:loc>
                                            <image:caption>“Through A Glass Darkly”, Charcoal, Captured Magnetic Field (Ferous Metal in Oil Binder), Acrylic, Paper. 8” x 8” (25.4 x 25.4 cm.), 2010&lt;br /&gt;
&lt;br /&gt;
*Pictured as installed at &lt;span style=&quot;font-size: calc(var(--font-scale) * var(--font-size)); text-indent: -1.5em; letter-spacing: 0em;&quot;&gt;m, 2012, The Contemporary “50/250”, 2012, French &amp;#x26; Michigan, SATX&lt;/span&gt;</image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/N1899718692610855315381647659889/2006-willome-i-love-you-now-now-now-timetravel-00.jpg</image:loc>
                                            <image:caption>“A Study In Time Travel (I Love You Now, and Now, and Nnow...)”, Acrylic, Inkjet Prints on Acetate (It’s A Wonderful Life, 1948), Stretched Canvas, 48” x 48” (121.9 x 121.9 cm.), 2007&lt;br /&gt;
&lt;br /&gt;
 Sold to a Private Collection</image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/C1899718692352600898349713937265/2010-willome-how-to-haunt-the-fleshly-counterpart-6-00.jpg</image:loc>
                                            <image:caption>“How To Haunt The Fleshly Counterpart II (Area of Suddenly Displaced Air)“, Graphite, Cattle Marker, Toner Transfer, Paper, 24” x 24” (61 x 61 cm.), 2012</image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/Q1899747783698108621629542191985/2005-willome-how-to-haunt-the-fleshly-counterpart-00.jpg</image:loc>
                                            <image:caption>“How To Haunt The Fleshly Counterpart”, Acrylic, Inkjet Prints on Acetate (It’s A Wonderful Life, 1948), Stretched Canvas, 48” x 48” (121.9 x 121.9 cm.), 2006</image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/B1899747971744217709024711365489/2006-willome-only-quantum-foam-00.jpg</image:loc>
                                            <image:caption>“Only Quantum Foam”, Acrylic, Inkjet Prints on Acetate, Stretched Canvas, 48” x 48” (121.9 x 121.9 cm.), 2006.&lt;br /&gt;
 &lt;br /&gt;In the collection of Eduardo Rodriguez, SATX</image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/N1899750795590247256556582294385/2007-Willome-esseract-Frame-00.jpg</image:loc>
                                            <image:caption>“Deposition (Tesseract Frame)”, Acrylic, Inkjet Prints on Acetate (It’s A Wonderful Life, 1948), Stretched Canvas, 36” x 48” (91.4 x 121.9 cm.), 2007</image:caption>
                                    </image:image>
            
        </url>
            <url>
                        <loc>https://jasonwillome.com/2011-2015-questionable-surfaces</loc>
            
            
            <lastmod>2025-08-05T20:47:38+00:00</lastmod>
            <changefreq>always</changefreq>
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                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/D1897401688196225638654637331313/2011-willome-Visible-Inclusions-00.jpg</image:loc>
                                            <image:caption>“Visible Inclusions in an Obscure Plane,” Acrylic, Rayon Flocking, Stretched Canvas, 29” x 27” (68.58 x 73.6 cm), 2011</image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/A1897401688122438662359799124849/2011-willome-Patterns-00.png</image:loc>
                                            <image:caption>“Matching Concealed Patterns (The Seam Grows When You’re Not Looking),” Acrylic, Rayon Flocking, Stretched Canvas, 29” x 27” (68.58 x 73.6 cm), 2011</image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/D1897401688214672382728346882929/2011-willome-A-Suspiscious-Milieu-00.jpg</image:loc>
                                            <image:caption>“A Suspicious Milieu,” Acrylic, Rayon Flocking, Stretched Canvas, 30” x 24” (76.2 x 61 cm), 2011</image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/I1897401688233119126802056434545/2011-willome-Mutter_01.jpg</image:loc>
                                            <image:caption>“Mutter,” Oil, Acrylic, Nylon Flocking, Stretched Canvas, 31” x 25” (78.7 x 63.5 cm), 2011</image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/F1897401688085545174212380021617/2011-willome-molecule-00.png</image:loc>
                                            <image:caption>“Model”, Charcoal, Silicone, Cattle Marker, Paper, 36” x 24” (91.5 x 61 cm), 2011</image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/M1897401688177778894580927779697/2011-willome-Uncomfortable-With-Fiction-00.jpg</image:loc>
                                            <image:caption>“Uncomfortable With Fiction,” Acrylic, Rayon Flocking, Stretched Canvas, 23.5” x 18” (59.7 x 45.7 cm), 2011</image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/O1897401688159332150507218228081/2011-willome-Affect-or-Effect_00.jpg</image:loc>
                                            <image:caption>“Affect or Effect”, Acrylic, Rayon Flocking, Stretched Canvas, 31” x 25” (78.7 x 63.5 cm), 2011</image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/U1897401688140885406433508676465/2011-willome-A-Questionable-Surface-00.png</image:loc>
                                            <image:caption>“A Questionable Surface”, Acrylic, Rayon Flocking, Stretched Canvas, 31” x 25” (78.7 x 63.5 cm), 2011&lt;br /&gt;
In the Collection of Paige Davidson &amp;#x26; Dwight Putnam, Gainesville, TX
</image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/K1897654931758144133988369912689/2011-willome-Technology-III-Natural_Formation_00.jpg</image:loc>
                                            <image:caption>“Technology No. 3: Natural Formation”, Acrylic, Nylon Flocking, Pigment Transfer into Acrylic, Cast Concrete, ~14&amp;#x22; x 17&amp;#x22; (35.56 x 43.18 cm.) 2014. In the collection of the Gene Elder Family, SATX</image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/Q1897654931850377854356917670769/2011-willome-Technology_II-Interuption_of_Service_00.jpg</image:loc>
                                            <image:caption>“Technology No. 2: Interruption of Service”, Acrylic, Nylon Flocking, Pigment Transfer into Acrylic, Cast Concrete, ~14&amp;#x22; x 17&amp;#x22; (35.56 x 43.18 cm.) 2014. In the collection of Stacy Dacheux &amp;#x26; Allen McLeod, LACA</image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/F1897654931868824598430627222385/2011-willome-Technology-I--Cloudy-00.jpg</image:loc>
                                            <image:caption>“Technology No. 1: Cloudy”, Acrylic, Nylon Flocking, Pigment Transfer into Acrylic, Cast Concrete, ~14&amp;#x22; x 17&amp;#x22; (35.56 x 43.18 cm.) 2014. In the collection of Thomas DeWitt, Darlington, SC</image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/K1897655367673153339818784150385/2011-willome-Two-Chambered_Passenger_Manet_00.jpg</image:loc>
                                            <image:caption>Two-chambered Passenger (After Manet), Acrylic, Stretched Canvas, 48” x 48”(121.9 x 121.9 cm), 2011. Sold to a Private Collection, SATX</image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/M1897655367654706595745074598769/2011-willome-Iffy-00.png</image:loc>
                                            <image:caption>“Iffy”, Acrylic, Stretched Canvas, 46&amp;#x22; x 64&amp;#x22; (117 X 163 cm.), 2014. Sold to a private collection through the Contemporary at Blue Star, SATX</image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/Z1897655367433345666860559979377/2011-willome-perforated-00.png</image:loc>
                                            <image:caption>“Perforated”, Acrylic, Stretched Canvas, 31” x 25” (78.7 x 63.5 cm), 2011. In the Collection of Frank Leal, SATX</image:caption>
                                    </image:image>
            
        </url>
            <url>
                        <loc>https://jasonwillome.com/2015-present-peering-out,-peering-in</loc>
            
            
            <lastmod>2025-08-05T20:47:38+00:00</lastmod>
            <changefreq>always</changefreq>
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                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/C1897461846994699981350010704753/2015-willome-Accretion-Youarewhoyoulovenotwholovesyou-00.png</image:loc>
                                            <image:caption>“Accretion (You Are Who You Love, Not Who Loves You)”, Salt Crystals (Epsomite), Pigment Transfer into Acrylic (STS-&amp;#x26;/Space Shuttle Challenger), Plywood, Glazed Frame. 20 5/8” x 20 5/8” (52.4 x 52.4 cm), 2015, *1st Iteration.</image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/W1897461846902466260981462946673/2015-willome-Accretion-Accreted-Firmament-Primitive-Consciousness-00.png</image:loc>
                                            <image:caption>Accreted Firmament (Primitive Consciousness), Pigment Transfer into Acrylic, Salt Crystals, 2015. &lt;br /&gt;&lt;br /&gt;In the collection of Angela Koester, SATX</image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/B1897461847031593469497429807985/2015-willome-Accretion-iamyouyouareme-00.png</image:loc>
                                            <image:caption>“Accretion (I Am You, You Are Me)”, Salt Crystals (Epsomite), Pigment Transfer into Acrylic (STS-&amp;#x26;/Space Shuttle Challenger), Plywood, Glazed Frame. 20 5/8” x 20 5/8” (52.4 x 52.4 cm), 2015.</image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/I1897461847013146725423720256369/2015-willome-Accretion-Youerthanyou-00.png</image:loc>
                                            <image:caption>“Accretion (Youer Than You)”, Salt Crystals (Epsomite), Pigment Transfer into Acrylic (STS-&amp;#x26;/Space Shuttle Challenger), Plywood, Glazed Frame. 20 5/8” x 20 5/8” (52.4 x 52.4 cm), 2015.&lt;br /&gt;
&lt;ul&gt;&lt;/ul&gt;</image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/A1897501287664609330489258496881/2015-willome-Complicated-Minerals-Right-00.jpg</image:loc>
                                            <image:caption>Complicated Minerals (Right), Pigment Transfer into Acrylic, Salt Crystals, 2015. &lt;br /&gt;&lt;br /&gt;In the collection of Barbara Miñarro, SATX</image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/I1897501287683056074562968048497/2015-willome-Complicated-Minerals-Left-00.jpg</image:loc>
                                            <image:caption>Complicated Minerals (Left), Pigment Transfer into Acrylic, Salt Crystals, 2015. &lt;br /&gt;&lt;br /&gt;
In the collection of Catrionna Morrison Cavender &amp;#x26; Lee Cavender, SATX&lt;ul&gt;&lt;/ul&gt;</image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/U1897511139959938634318519292785/2017-Willome-Accretion-Complicated-Minerals.jpg</image:loc>
                                            <image:caption>“Complicated Minerals II (Confirmation of the Big Bang)”, Salt Crystals (Epsomite), Pigment Transfer into Acrylic, Plywood, Glazed Frame. &lt;span style=&quot;font-size: calc(var(--font-scale) * var(--font-size)); letter-spacing: 0px;&quot;&gt;31&amp;#x22; x 24.25&amp;#x22; (78.74 x 54 cm), Diptych. 2017.&lt;br /&gt;
&lt;br /&gt;
 &lt;/span&gt;In the Collection of Federica Padilla &amp;#x26; Kevin Covey, SATX&lt;br /&gt;&lt;ul&gt;&lt;/ul&gt;&lt;i&gt;&lt;ul&gt;&lt;/ul&gt;&lt;/i&gt;

</image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/A1897511140089065842834486154097/2015-Accretion-shape-of-a-mirror-001.jpeg</image:loc>
                                            <image:caption>“Accretion (The Shape of a Mirror)”, Salt Crystals (Epsomite), Pigment Transfer into Acrylic (STS-&amp;#x26;/Space Shuttle Challenger), Plywood, Glazed Frame. 24.5” x 24.5” (62.2 x 62.2 cm), 2018.</image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/R1897511140125959330981905257329/2015-Willome-Accretion-Those-Who-Matter_001.jpg</image:loc>
                                            <image:caption>“Accretion (Those Who Mind Don’t Matter, Those Who Matter Don’t Mind)”, Salt Crystals (Epsomite), Pigment Transfer into Acrylic (STS-&amp;#x26;/Space Shuttle Challenger), Plywood, Glazed Frame. 20 5/8” x 20 5/8” (52.4 x 52.4 cm), 2015.</image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/E1897511140107512586908195705713/2015-Accretion-You-are-who-you-love-004.jpg</image:loc>
                                            <image:caption>“Accretion (You Are Who You Love, Not Who Loves You)”, Salt Crystals (Epsomite), Pigment Transfer into Acrylic (STS-&amp;#x26;/Space Shuttle Challenger), Plywood, Glazed Frame. 20 5/8” x 20 5/8” (52.4 x 52.4 cm), 2018, *2nd Iteration.</image:caption>
                                    </image:image>
            
        </url>
            <url>
                        <loc>https://jasonwillome.com/2000-2013-–-old-work</loc>
            
            
            <lastmod>2025-08-05T20:47:39+00:00</lastmod>
            <changefreq>always</changefreq>
            <priority>0.5</priority>


            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/L1899633177471379573747909481329/2012-When-Her-Breath-Leans-on-mine-00.jpg</image:loc>
                                            <image:caption>“When Her Breath Leans On Mine”, Acrylic, Inkjet Prints on Acetate, Stretched Canvas, 30” x 30” (76.2 x 76.2 cm.), 2012</image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/S1899633177397592597453071274865/2002-willome-larval-memory-01.jpg</image:loc>
                                            <image:caption>“Larval Memory”, Old Spice High Endurance Deodorant, Pigment Transfer Into Acrylic (Still from Richard Donner’s Superman: the movie, 1978), MDF. 12” x 16” (30.5 x 40.6 cm.), 2003&lt;br /&gt;&lt;br /&gt;
In the Collection of David &amp;#x26; Lisa Alcantar, SATX
</image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/W1899633177452932829674199929713/2016-Willome-beneath-00.jpg</image:loc>
                                            <image:caption>“Beneath”, Acrylic, Pigment Transfer into Acrylc, Rayon Flocking, Salt, Stretched Canvas, 60” x 48” (152.4 x 121.9 cm.), 2016</image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/M1899633177508273061895328584561/2017-Willome_When-It-Became-More-Real-Than-Me-001_o.jpg</image:loc>
                                            <image:caption>“Traces of a Former Conversation”, Acrylic, Stretched Canvas, 48” x 48” (121.9 x 121.9 cm.), 2013&lt;br /&gt;
In the collection of Paul and Candace Wilson, SATX</image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/A1899633177803420967074681410417/2003-willome-suits-00.jpg</image:loc>
                                            <image:caption>“Suited”, Acrylic, Inkjet Prints on Acetate, Stretched Canvas, 48” x 48” (121.9 x 121.9 cm.), 2003. &lt;br /&gt;
&lt;br /&gt;
Inn the collection of Abraham Lamark, Des Moines, IA
</image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/U1899633177784974223000971858801/2003-willome-roundtable-01.JPG</image:loc>
                                            <image:caption>“Roundtable”, Acrylic, Inkjet Prints on Acetate, Stretched Canvas, 48” x 48” (121.9 x 121.9 cm.), 2005. &lt;br /&gt;
&lt;br /&gt;
Inn the collection of Mary Rachel Fanning, Chicago, IL
</image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/I1899633177305358877084523516785/2017-willome-second-bullet-mantra-00.jpg</image:loc>
                                            <image:caption>“Second Bullet Mantra”, Acrylic, Inkjet Prints on Acetate, Molding, Stretched Canvas, 60” x 40” (152.4 x 101.6 cm). 2009.</image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/Z1899633177342252365231942620017/2007-Willome_Whaled-whales-00.jpg</image:loc>
                                            <image:caption>“Seraphim”, Acrylic, Inkjet Prints on Acetate, Stretched Canvas, 40” x 60” (101.6 x 152.4 cm), Diptych. 2007.&lt;br /&gt;
&lt;br /&gt;
*&lt;i&gt;Left panel destroyed&lt;/i&gt;
</image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/Z1899633177268465388937104413553/2009-willome-dear-deer-00.jpg</image:loc>
                                            <image:caption>“Dear Deer”, Acrylic, Inkjet Prints on Acetate, Stretched Canvas, 60” x 40” (152.4 x 101.6 cm). 2010&lt;br /&gt;&lt;br /&gt;In the collection of Richard Armendariz, SATX
</image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/Y1899633177821867711148390962033/2003-willome-parachutes-00.JPG</image:loc>
                                            <image:caption>“Oh, Chute”, Acrylic, Inkjet Prints on Acetate, Stretched Canvas, 48” x 48” (121.9 x 121.9 cm.), 2003. &lt;br /&gt;
&lt;br /&gt;
In the collection of Rayna Manger Tedford and Jim Tedford, Denver, CO
</image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/G1899633177176231668568556655473/2007-willome-its-a-poor-sort-of-memory-that-only-works-backward-00.jpg</image:loc>
                                            <image:caption>“It’s a Poor Sort of Memory That Only Works Backward”, Acrylic, Inkjet Prints on Acetate, Video Monitor, Stretched Canvas, 40” x 60” (101.6 x 152.4 cm), 2007.&lt;br /&gt;
&lt;br /&gt;
Sold to a Private Collection
</image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/G1899633177434486085600490378097/2016-willome-dust-00.jpeg</image:loc>
                                            <image:caption>“Practice”, Acrylic, Marble Dust, Paper, 8” x 8” (20.3 x 20.3 cm.), 2012</image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/I1899633177250018644863394861937/2007-willome-the-bearded-container-00.JPG</image:loc>
                                            <image:caption>“The Bearded Container”, Acrylic, Inkjet Prints on Acetate, Stretched Canvas, 48” x 48” (121.9 x 121.9 cm.), 2006</image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/K1899633177766527478927262307185/2000-willome-ok-00.JPG</image:loc>
                                            <image:caption>“O.K.”, Acrylic, Collage, Masonite, 48” x 40” (121.9 x 101.6 cm.), 2000</image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/U1899633177748080734853552755569/2005-willome-a-room-i-cannot-get-into-00.jpg</image:loc>
                                            <image:caption>“A Room I Cannot Get Into”, Acrylic, Inkjet Prints on Acetate, Stretched Canvas, 48” x 48” (121.9 x 121.9 cm.), 2005.&lt;br /&gt;
&lt;br /&gt;
In a Private Collection.
</image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/Q1899633177489826317821619032945/2017-willome-sally-forth-00.jpg</image:loc>
                                            <image:caption>“Sally Forth”, Acrylic, Inkjet Prints on Acetate, Stretched Canvas, 30” x 40” (76.2 x 101.6 cm), 2010.
</image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/O1899696651629379307966156591985/2001-willome-impact-00.jpg</image:loc>
                                            <image:caption>“Impact”, House Paint, Oil, Acrylic, Charcoal, Masonite, 48” x 48” ()121.9 x 121.9 cm), 2001.&lt;br /&gt;
&lt;br /&gt;
In the Collection of Chris &amp;#x26; Ariel Lavery, Boulder, CO
</image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/B1899696651684719540187285246833/2000-willome-bullet-manntra-2-00.jpg</image:loc>
                                            <image:caption>“Bullet Mantra”, Acrylic, Inkjet Prints on Acetate, Cattle MMarker, Marker, Stretched Canvas, 48” x 48” (121.9 x 121.9 cm.), 2000&lt;br /&gt;
&lt;br /&gt;
In the Collection of Ethan and Stephanie Worden, Oakland, CA
</image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/D1899696651666272796113575695217/2002-willome-converstipation-00.jpg</image:loc>
                                            <image:caption>“Converstipation”, Lithograph, Oil Bar (Stenciled), A/P, 20” x 20” (50.8” x 50.8”), 2002</image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/S1899696651647826052039866143601/2001-willome-tcapmi-00.jpg</image:loc>
                                            <image:caption>“Tcapmi”, Charcoal on Paper (Impact Drawing), 40” x 40”. (101.6 x 101.6 cm), 2001.</image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/W1899696651610932563892447040369/2001-willome-bullet-matra-2-00.jpg</image:loc>
                                            <image:caption>“Bullet Mantra II”, Oil, House Paint, Cattle Marker, Gypsum, Graphite, MDF, 24” x 24” (60.9 x 60.9 cm), 2001.&lt;br /&gt;
&lt;br /&gt;In the Collection of Brad Angotti, SATX</image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/T1899696651352678146860513317745/2000-willome-mourning-side-00.jpg</image:loc>
                                            <image:caption>“Mo(u)rning Side”, Acrylic, Inkjet Prints on Acetate, Graphite, Marker, Stretched Canvas, 48” x 48” (121.9 x 121.9 cm.), 2000</image:caption>
                                    </image:image>
            
        </url>
            <url>
                        <loc>https://jasonwillome.com/2013-–-sweet-nothing</loc>
            
            
            <lastmod>2025-08-05T20:47:39+00:00</lastmod>
            <changefreq>always</changefreq>
            <priority>0.5</priority>


            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/S1898024539687522598387390174065/2015-willome-sweet-nothing-01.gif</image:loc>
                                    </image:image>
            
        </url>
            <url>
                        <loc>https://jasonwillome.com/left-information-page</loc>
            
            
            <lastmod>2025-08-04T18:04:41+00:00</lastmod>
            <changefreq>always</changefreq>
            <priority>0.5</priority>


            
        </url>
            <url>
                        <loc>https://jasonwillome.com/mobile-header</loc>
            
            
            <lastmod>2024-09-30T09:26:28+00:00</lastmod>
            <changefreq>always</changefreq>
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